Sound design.

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Just as the creative mix can decide what the viewer will hear and how he will listen, I understand that the role of a soundtrack is also to help the viewer choose a path, to suggest to the listener a sensory perception of that story. And sound design is very similar: interpreting a scene or a visual arrangement and suggesting sounds that might support this idea. It is the moment when method, technique and philosophy meet to serve the creative process of sound.

I try to approach in my work this vision, in which every sound can speak and represent an image, be it a rich sound landscape composed of real elements, as well as an orchestral piece.

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Below, some works and exercises in which I could exercise this approach.

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